Monday, March 30, 2009

Stockholm, you don't need a castle


Stockholm, allotments make the green finger people happy. Like here in Tanto in southern Stockholm. In front of the area is the water of Årstaviken and behind are the buildings of Högalid. It's a nice place for walking. Now the soil is black covered with dead vegetation from last year. Most people cultivate vegetables, herbs and flowers. But there are exceptions. If you haven't got a castle you can still construct a park. Compact gardening...

Friday, March 27, 2009

Asmara, Dawit Isaak and driving license



Asmara, the day begins with a caffè macchiato at the main street café where all know each other. The sun softly brings its Good Morning in the fresh rarefied air, we are quite high – 2 874 ft above sea level. Nowhere else I have met such genuinely kind people as here. In no other capital I have felt totally safe while walking home to the hotel, late evenings in narrow, dark streets.

Today there is an appeal in the four leading Swedish newpapers: Free Dawit Isaak now! He is a journalist and Swedish citizen who has been in Eritrean jail for more than seven years with no trial.

The small, shabby Fiat 500 cars of the Driving School chug around or stand still being repaired. You need a driving license before driving. Driving license, ruling license, governing license. Free elections. Democracy.

Sunday, March 22, 2009

Hannäs, we feel like birds

Hannäs, Sweden, 10 degrees Celsius plus, light winds. Something happens to the Swede. I feel like the lapwing looping and calling up there above my head, like the couple of cranes curiously scratching the field over there, like the chaffinch who has something to tell us from inside the bushes. And like the white-tailed eagle, cool and relaxed, circling around up there in nice thermals.

Sweden is in shape like a huge north-south pointing banana. In the north people still climb around in deep snow, in the south the banana mildly smiles. The soil plowed last autumn now twinkles, humid and dazed, towards the infinitely blue sky. Tomorrow winter might be back – so Carpe Diem!

Wednesday, March 18, 2009

Barcelona, the art of walking


Barcelona, Fundació Joan Miró, high up on Montjuïc is this huge museum with white walls, big windows and spacy openings. Everywhere are groups of children, sitting close to each other on the floor in front of a painting, silent with big eyes, while the teacher whispering tells the story of a painting. Or walking. The art of Group Walking is exercised on the terrace. Like a centipede the children coil around. A living piece of art. One of the best.

Sunday, March 15, 2009

Istanbul, the dream, is it still there?


Istanbul, here it is. A project, a dream that not really comes true. An idea. And while the material slowly gets composted, breaks down into atoms, the dream may continue to live inside the head of somebody – as beautiful as ever.

Wednesday, March 4, 2009

Tokyo, clean precision

Tokyo, we enter one of the big department stores in Ginza at opening time in the morning. We are the very first customers. At the end of every counter a welldressed seller in service stands in strict attention welcoming us with eye contact, a pleasant smile and a gentle bow. Good morning Mr President, my imagination sings, and I gently smile back.

Underground they sell luxury chocolates and prepare for lunch. The face mask and green light announce about surgery. Here the cooks don't lick their fingers like at home. In Tokyo precision and disinfection is the mother of good and healthy food.

Sunday, March 1, 2009

Stockholm, painters and photographers


Stockholm, the oldest photo still preserved is from 1826. During the second part of the 19th century there was a lot of experimenting within photography aiming to find materials for reproducing positive pictures. They tried salt paper, albumin paper and carbon prints. And lots more, before silver chloride and silver bromide were developed as more persistent materials.

Newspapers by that time, and earlier, were illustrated with drawings. War and dispair, accidents and catastrophes were drawn by hand. Good drawings were rich of details and engaging to look at. Many artists were active as newspaper illustrators, for example Goya, the great Spanish painter.

When walking around at the National Museum I think of this. Just now here is a great exhibition with works by the so called Prerafael Brotherhood, PRB, a British school of this time. A photographic way of detailed painting, often inspired of classic themes as jealousy, illness and dramatic death. The paintings are rich of symbols like a broken window, flowers thrown away in the gutter, beautiful red apples...

This connection in time will not alone explain the manner of painting. But part of it, I am sure. Free thoughts and values individually expressed are woven like threads together with other threads composing the web of the time being. Things are connected, reciprocally explained.